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The Equal​-​Tempered Keyboard

by Aaron Andrew Hunt

supported by
Stephen Weigel
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Stephen Weigel This enthralling masterpiece stands completely alone in its genre. The way Aaron weaves through apparent tonalities in xenharmonic tunings often sounds highly "right," yet may be outside of particular scales. I particularly am fond of the pieces in 14-TET and on, which carry a deep sense of mysteriousness, enchantment, and song. I will certainly be appreciating this set of pieces for the rest of my life. Favorite track: Prelude in 14ET.
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about

Total Duration: 1h 38m 5s

A "world's first" collection of Preludes, Inventions & Fugues in all equal divisions of an octave from 5 to 20 tones, composed 1999-2021.

This music is almost guaranteed to sound "out of tune", "wrong", maybe even "painful", the first time you hear it. Give it a chance with multiple listens and it should begin to bend your ears (and maybe even your mind!)

Scores available from Zwillinge Verlag: zwillinge.zentral.zone/katalog.php#ZV986413

Preface to the score (in German, English, and French) with tuning tables: zwillinge.zentral.zone/vorschau/etk_frontmatter.pdf

To support my work, please go to aah.zentral.zone/support
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credits

released April 20, 2022

Virtual performance recorded 2021 by AAH using Synthogy's Ivory Model B Steinway Concert Grand Piano.

Special thanks to George Taylor at Synthogy for Ivory's stellar microtonal implementation. www.synthogy.com
(I am not affiliated with Synthogy)

Tracks may be updated at any time.

Changelog:
20.04.2022 - Album released
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In memory of my friend Jordan Petkov hpi.zentral.zone/blog?p=235



S.D.G.

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